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Audio 26 March 1976 - Paramount Northwest Theatre, Seattle, Washington [Soundboard]

Rush Archives

Syrinx Computers

Downloads:

Track Listing:

01 - Bastille Day​
02 - Anthem​
03 - Lakeside Park​
04 - 2112​
05 - Fly By Night​
06 - In The Mood​
07 - Something For Nothing​
08 - Interlude: Improvisational Jam​
09 - In The End​
10 - By-Tor And The Snow Dog​
11 - Working Man​
12 - Finding My Way​
13 - Working Man (Reprise)​
14 - Drum Solo​
15 - Best I Can​

Notes:

  • There is a brief interlude following Something For Nothing after Geddy's bass apparently broke, so Alex and Neil play some improvisational jamming to pass the time.
  • This is the only known live recording that features Alex attempting to simulate the studio album's guitar overdubs on 2112's Grand Finale.
  • Originally recorded by KZOK FM radio and broadcast on 20 April 1976.
  • This recording has also been incorrectly associated with the date of 28 October 1976, see the extended notes below for further specific details.

Preview:

 

Extended Notes on the Date Controversy:

This is one among the more confusing Rush recordings I've so far come across in regards to verifying its information. The entire confusion is in regards to the date of the performance, and subsequently the tour. This seems to have been an ongoing debate for years among fans. As a serious researcher of any topic I am enthusiastic about, I decided to start digging to find the answer to the question, or a conclusion that I was most satisfied with.

Since I started collecting Rush bootlegs, I've come across several instances that dates and/or locations were not accurate, which is usually solved by cross referencing with official tour date listings in the "Wandering the Face of the Earth: The Official Touring History" book, as it is currently the most up-to-date and accurate source of touring information (Rush.com is not). I do this with every single recording because I am picky about accuracy.

When I first came across this recording, it was labeled as 28 October 1976, at the Paramount Theatre in Seattle during the ATWAS tour. After cross referencing the date and seeing there was indeed a show on 28 October 1976, at the Paramount in Seattle, I didn't give it further thought. I don't use Digital Rush Experience as a source, as they haven't updated with new recordings or information in I'd guess 5-10 years, however I occasionally look there to see comments on shows. It was on DRE I first came across a post under one of the Oct 28 bootlegs, which stated the following:

Jim Burleigh (26 May 2002) said:
Regarding the 1976, Seattle shows. I was at the October 25, 1976 show at the Paramount Theatre in Seattle, WA. I will never forget that show as long as I live. You see it was the second time I had seen Rush live; the first time was an accident. A friend asked me to accompany him to the March 27, 1976 show at Gonzaga University in Spokane to see Styx. Neither of us knew that Rush existed prior to that fateful spring evening. The shows that are on the Seattle Supersonic and By-Tor's Battle CD's are identical. I was able to play them simultaneously, and they are absolutely the same right down to the little guitar chord 'chops' that Alex does while Geddy is introducing songs. The set is precisely the same as the Spokane show (with the exception of 'The Jam') and I am convinced that this is the March show. The instrumental jam DID NOT happen at the October 25, 1976 show, I assure you of that without reservation. Additionally, at the October show, Geddy introduces "In The End" by saying "We'd like to mellow out for a few minutes, if you will allow us..." and the crowd expresses it's displeasure at that statement very loudly. Never the less, Geddy is brought a stool from off-stage and he sits to play the first section of the song, then stands for the second part. I have a photographic memory and I also made a list of the songs that they did at the October show, because I was still becoming familiar with their first three albums (I bought 2112 on the Sunday night after I returned to Seattle from Spokane, in fact there was a poster in the window of the record store - Tower Records on 5th Ave. N. and Mercer St. - advertising the Rush show that very evening, the 28th of March) and I found my little notebook with that list in it while going through some boxes stored in my parents basement. I have no doubt whatsoever that this is, in fact, the March 1976 show on both of these CD's.

Reading that raised more questions for me than just "this show might be from March of the 2112 tour, and not October from the ATWAS tour", also the claim of the October show being on the 25th, not the 28th, as no source I see claim the 25th. Usually incorrect dates are due to being rescheduled a day or several later, but this was a bit confusing. Whether or not it was the 25 or 28, it doesn't matter for the real date issue so I won't go further into that. I will say though a newspaper review on Cygnus-X1.net states "Thursday's performance" in the past tense, and Thursday of October 1976 was indeed the 28th.

Back on track, I start looking into March 1976 shows in Seattle. It's worth noting to avoid even more confusion, that on 28 March 1976, Rush also played at a Paramount Theatre but in Portland, not the Paramount Theatre in Seattle. After Bastille Day, Geddy mentions Seattle, so we can rule out the location being incorrect. I looked on Cygnus-X1.net and they provide a ticket stub and an advertisement poster that both further document there being a show at the Paramount in Seattle on 26 March 1976. Initially, I read somewhere, I think a YouTube comment, stating that Rush would not have had the time to perform a full setlist on March 26/28 as they were opening for Styx. I then read someone mention Styx was unable to perform that night, so it allowed Rush to perform a full set. However, Cygnus-X1.net has a newspaper review describing Styx's bus breaking down and being unable to perform, but that was for the March 28 Portland show, not March 26 in Seattle.

With a bit of relief, it seems that the Rush-Styx shows were double billings (or cobillings), not Rush as the openers for Styx. The opening act for these Rush-Styx double billings was a band called "Sutherland Brothers & Quiver". So with that, as far as I can tell, Rush would have indeed performed their full setlist.

The last couple details that point this to being in March is that Geddy introduces 2112 as "from our new album", just as he does in the April 7th Pittsburgh and May 30th Springfield shows. During the ATWAS tour Geddy usually introduces 2112 as "from our last studio album" in reference to having a live album just released, or "our last album". Calling it their "new album" definitely would point toward being the 2112 tour. Geddy also concludes 2112 by saying "that was side one from our new album 2112", as well as introducing Something For Nothing as "something else from the new album", both which place further emphasis on the 2112 album being a new release.

Also, in the "Wandering the Face of the Earth" book, it states Seattle was allegedly recorded on March 26 by KZOK FM radio and broadcast on 20 April 1976, and mentions nothing for the alleged October 28th date. I'd say that's another big bit of information that helps positively weigh towards the conclusion of March 26.

The last detail, which may be trivial and not hold much weight, Geddy introduces Lakeside Park as "a song about a day similar to the 4th of July in Canada", in reference to "24th of May" aka Victoria Day, which Geddy also says on the May 30th Springfield show. I assume it was due to the American bicentennial coming up which was a big deal in 1976, and he does not state this in any 1976 ATWAS tour shows.

With that all being said, I am now very comfortable with stating that this show is from 26 March 1976 at the Paramount Theatre in Seattle, Washington, and without any doubt.
If you have further details that either support or oppose this conclusion, please feel free to post it here.
 
Another possible indicator to this recording being early in the 2112 tour is found in 2112 Grand Finale. Notice how Alex does many lead guitar riffs among the power chords near the beginning of the track in order to simulate the overdubbed lead guitar fills that appear on the studio recording at this point in the song. In all other recordings of 2112, he would only do the very last of these riffs, which is a cue to the rest of the band to go into the next part of the song. It's entirely possible that Alex decided at some point that vacillating between the power chords and lead fills was more effort than it was worth. That makes this recording very unique, it's the only live 2112 recording I've heard where Alex plays those riffs. It's very cool for that reason.
 
Another possible indicator to this recording being early in the 2112 tour is found in 2112 Grand Finale. Notice how Alex does many lead guitar riffs among the power chords near the beginning of the track in order to simulate the overdubbed lead guitar fills that appear on the studio recording at this point in the song. In all other recordings of 2112, he would only do the very last of these riffs, which is a cue to the rest of the band to go into the next part of the song. It's entirely possible that Alex decided at some point that vacillating between the power chords and lead fills was more effort than it was worth. That makes this recording very unique, it's the only live 2112 recording I've heard where Alex plays those riffs. It's very cool for that reason.
This is an astute observation - thanks for highlighting that cool detail, which absolutely reinforces the early 2112 tour date hypothesis. I listened to Nelson Center from May, and those notes from Alex amongst the intro power chords to Grand Finale are not there, nor are they on the All the World's a Stage version.

It would be amazing if more early 2112 shows would surface. It seems possible that one of 4 headlining shows at the Starwood in West Hollywood, CA might have been recorded?

Thanks!
 
Do you have an image of the Bootleg you can give me? Is it on cassette?
If you click the multiple download links at the top of the page, you should be able to select and download the various different bootleg artworks from the circulating 1990s/2000s CD copies.
Unless that is of no interest to you, I know you were interested in a photo of master tape, which I already explained the foggy history of this recording to you via Twitter.
 
If you click the multiple download links at the top of the page, you should be able to select and download the various different bootleg artworks from the circulating 1990s/2000s CD copies.
Unless that is of no interest to you, I know you were interested in a photo of master tape, which I already explained the foggy history of this recording to you via Twitter.
Thank you! I am learning.
 
“Anyway, with time running out for the start of Rush's first tour of the States and the band still not having a drummer, Danniels [sic] and Wilson desperately looking for a replacement for the departed John Rutsey. After auditioning several who weren't up to scratch Rush remembered Peart as being a drummer in the area who had sounded interesting. The managers got in touch with Peart, he auditioned and got the gig.

Says Peart: "lt just seemed to work out perfectly. We seemed to be musically suited to each other and I seemed to fit in with the kind of future directions they were talking about. Besides that we fitted together well personally - we found we had a lot of things in common." Quite how much impact Peart was to make on the band didn't manifest itself until the fourth album, '2112', was released in March, 1976”.

This book is also mirrored on the Cygnus-X1 Website with all the pictures included. I think with all the available evidence presented in my research paper “The True history and release date of RUSH 2112 and other albums facts, it’s pretty much proven that 2112 indeed was released in March, specifically on this date of March 26, 1976. This support is now added to my paper.

http://www.2112.net/powerwindows/transcripts/19820000harriganrush.htm

https://www.cygnus-x1.net/links/rush/bio-rush.php
 
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